![]() ![]() So, if you're working on something other than PT, and exporting files, them make sure you have the "region tc in" as part of the file name (M1 01:00:08:00) A Cue Sheet is also a helpful (I know many mixers will ask "why?". Some composers alternatively export cues as aif or wav files that spot to the timeline on import. ![]() As far as delivering to the mix stage, PT is definitely the most used platform out there in the post world, but not really the best workflow for actually creating music (although I'm sure it is done by some).so, if you can export into a PT timeline for delivery, that is the best way to get the tracks to the mix stage. But it's really all about preference for work flow and access to the tools you like to use (ie plugins, soft synths, samplers & libraries). the only difference that's annoyed me a little while working in cubase is not being able to combine two mono tracks into stereo, this can be done in nuendo with ease, there may be a few other small features like this that make it worth while for some.Īs far as finding a copy of nuendo 3, i tried not too long ago with no luck. im curious to hear what others think about this too. #Download steinberg nuendo 3 trialyou need to buy an expansion for nuendo to get those same music specs.ĭownload the trial for nuendo and cubase, check them both out and experiment. not to mention, with cubase you have the ability to do music as well. I know most say cubase is better suited for music and i wouldn't consider myself an expert at all, but personally, i have a hard time seeing why it can't be used for post-production. the interface, effects, quality, is almost identical, from my understanding, if you're not doing more than 5.1, don't have a need for networking or the cash for nuendo, maybe check out cubase for now until you can afford nuendo? ![]() i've even shared project files between the two apps without any issues whatsoever. I've used cubase and nuendo and as far as my experience, they're very much alike. ![]()
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